The Lawless brings Mille Plateaux back into full form. Mille Plateaux moves further away from glitch with ‘The Lawless’. ‘Habit Forming’ brings to mind Jaga Jazzist at his most symphonic. What’s really weird is the whole thing is the product of one person tinkering in a studio for two years. Perhaps it is Ross McLean’s absolute control over each and every detail that makes the album so interesting. His mastery over every instrument is a bit amazing at times, as is the restraint of many of these pieces. It is also notable for a considerable focus on organic sound, right down to the violins and drums. For Mille Plateaux, this is rather dramatic.
Shifts in mood help too. For the first two songs you hear a positive, upbeat vibe. On “New Habits” you’re treated to something truly excellent, beginning with soaring guitar, violin and vocals. It is quite excellent. Along with “Habit Forming” this forms my favorite part of the album. Fifi Dewey’s wordless vocals fit right into place on these songs. From these two songs the album appears to focus on larger, grander gestures, and slower, more gradual build-ups.
Other songs take a louder approach. “Lines upon Lines” builds up gradually into something sweeping and loud, taking a few cues from Post-Rock in the process. “Noon Dunes” takes a similar approach for an even louder crescendo at the very end.
Cinematic describes this music quite well. Influenced by jazz, electronic, and a fondness for Spaghetti westerns, ‘Habit Forming’ is undeniably charming.
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