Angelo Harmsworth makes good, warm, tactile drone music. Each one of these pieces
positively glistens with the grit and sweat of taped drones. While it first
seems like something to keep in the background, Playground Barriers draws you
in with its charms. Perhaps it is the dense sound that gives way to sweet,
hidden melodies, or just the general smudge-y quality of the audio itself, but
it brings you into this world.
Playground
Barriers has strong connections to psyched-out rock. Some of these songs scream
across the speakers, such as the epic closer ‘Nice Attempts’ which enjoys
simply sprawling out in terms of sheer length (it is the longest piece on here)
and size (it does get quite loud). Other drone pieces with a similar level of
volume and rock indebtedness would be the fantastically distorted ‘Disconnect
The Lower Part Of Me’ which swims around in near noise, and ‘Created Distance’,
the latter of which reminds me strongly of Tim Hecker’s gauzy soundscapes.
The title
track is a rather mild introduction to the album. It serves as a template for
things to come. With a lower volume and considerably less distortion, it
introduces the sorts of themes and melodies present throughout the work. And ‘Margaret’
is the lowest fidelity track on here. It sounds like it was recorded in
somebody’s house, right down to the ambient noise of a truck driving away.
Actually I like how tangible this track sounds, it is surprisingly sweet.
Since I
see snow on the ground, and welcome more snow in the near future, this goes
well with the sound of the heating in my building. It lets me know I’m not
alone in this coldness, warmth exists in these drones.

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