‘Airing’
is dark. The title seems to refer to the expansion and inexplicable sudden ends
that abound for the entire album. Everything on here gives an immediate sense
of dread. Bells and rhythms give the album a near mystical quality. The
half-chants that periodically appear in some of the tracks only heighten this
sense. Derek’s unspoken, distorted sharp breath increase the sense of something
not merely aural, but physical. And no doubt about it, ‘Airing’ is a physical
experience.
'Colossus'
begins with a sharp breath before a manic beat takes over. With the breath
samples it feels like being privy to a sacrifice of some sort. A steady beat
forms after the frantic pace of the introduction. Far-away voice pieces
increase the sense of a bizarre religious ceremony, where the breathing is met
with chants. Other songs, while sung with decipherable lyrics ‘Will Rise (Will
Love)’ still maintain this sense of unease. ‘Will Rise (Will Love)’ is
extraordinarily minimal. A beat keeps the pace as small shards of melody
occasionally float in, such as that from a chopped up music box.
There
is a lot of humanity in this recording. In fact, there is almost a battle
between the electronic and the human. ‘Clandestine Spread’ for example has a
constant vying between the natural violins versus the granular sound of tiny
glitches and other mishaps. This is probably one of the most enjoyable pieces
on the album. ‘Radimantra’ takes a similar approach with a slow, quiet cymbal
brushes over a broken radio.
Derek
Piotr takes a quieter approach on ‘Airing’ than he did for ‘AGORA’. It pays off
in spades. Every detail is nearly tactile in its approach. Even the louder
pieces ‘Islets’, ‘Marsz Żal’ have calm to them. The sound and mood is uniform
throughout each of the fifteen tracks. ‘Airing’
is a concise effort in a myriad of ways.
Out April 16th!
Out April 16th!

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