Cousins
make some foot-stopping stuff. Now this blindsided me. I put this on and was
blown away right from the first track. There’s a lot of energy behind these
nine tracks. If indie rock needed an ideal sound Cousins would be it. Sonically
it has enough punch, possesses enough of a sense of humor, and is downright
catchy. Everything on here is pitch-perfect. Even the little flourishes, random
little instruments thrown in, are wonderfully done, such as the piano on the
opener ‘Jules’.
‘Jules’
is a great opener. Other tracks are much more in the stomping vein, such as ‘Khyber’
which is pure joy. There’s a garage rock vibe to these songs, a celebration of
simplicity. Most of these tracks are delightfully simple. Strong percussion,
straightforward vocals, and a western twang to the guitars make up the
majority. In fact, only one song even possesses a noticeable electronic
influence (a synthesizer) on the song ‘Defense’. The rest possess an effortless
garage stomp most bands would kill for. Yet what Cousins does is a little
different from most garage rock bands. Most garage rock bands take their cues
from the 60s. Cousins is clearly influenced by 70s rock.
The closer ‘Die’ uses the singer’s drunken
voice to full effect. On here they take a life-affirming role. While the whole
album is great, this is by far the best on the whole set. I think it is specifically
designed to get stuck in your brain.
Everything
on ‘The Palm at the End of the Mind’ is immediately enjoyable. This isn’t a
grower, this is instantly enjoyable. Multiple listens do nothing but confirm
that fact.

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