Judging
by the sounds on ‘Galaxy Garden’ it is safe to assume Lone grew up in the early
nineties. Most of this is a lovely reconfiguration of everything wonderful
about the 90s: lovely melodies, crazy movements, gargantuan beats, etc. In
other words, this is pure rave nostalgia. Chillwave might have been nostalgia
for the unremembered 80s, but we’re getting further and further away from that
approach. Now we’re moving towards all those wonderful ‘Second Summer of Love’
sounds. And Galaxy Garden embodies all the hope early Warp releases had.
‘The
Animal Pattern’ can barely contain itself. Electronic giddiness never sounded
so good. I adore this track. So many wonderful things are going on within this
one track. On one hand there’s the jumpy rhythm. Beneath that is a wistful
melody reminiscent of Boards of Canada. Yes it is that level of quality. ‘Lying
in the Reeds’ takes a different approach, of shifting tempos for emotional
rather than any technical reason. This one transforms itself into an early 90s
trance song fairly quickly. I am reminded of late-night dance music from long
ago, back when dance was a little more laid back, a little more mellow. The vocal
cut-ups are a nice touch. With ‘Crystal Caverns 1991’ Lone wears his influences
on his sleeve. I mean that in the nicest way possible. It's a great medley of sounds.
Lone
knows his sound. He knows his audience. Acid, chillout room music, and trance
are all thrown together in a non-ironic stew. ‘Galaxy Garden’ is about as giddy
as an electronic album can get. One can hear the enthusiasm Lone has for the
sound. It’s wonderful.

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