Human
Teenager makes warped, tattered shards of crystal-clear pop. This is the
catchiest weirdest stuff I’ve heard for some time. Gary War and Prehistoric
Blackout are behind this oddness. Actually this is the best project I’ve heard
from either of them. So many weird things come through what sounds like an
ancient tape, banished to the furthest reaches of some obsessive music
collector’s closet. There is a certain joy behind Animal Husbandry’s weird
approach to pop music. One might call it giddy.
On the
opener ‘Fourth Reich’ that giddiness is apparent. An obvious influence would be
Ariel Pink’s early work. But that only brings you part of the way there. No,
there’s something stranger going on here. Yep, that’s why the chorus ‘Welcome
to the Fourth Reich’ has a sneering sarcastic vibe to it, as if it mocks the
very essence of strictly defined pop music. The Residents toyed with this idea
on ‘The Third Reich ‘n Roll’. Here though Human Teenager updates that
subversive idea of pop music as a means of control. ‘Locate Yourself’ is even
more direct in communication, with a basic drum beat leading the dark 80s psyched-out
vibe. ‘Mainly Adult’ worms its way into your mind with an instantly catching
bass line. And ‘Special Victims Unit’ takes a more nightmarish approach to the
songwriting as it drifts off into space.
I’m pretty excited that Spectrum
Spools appears to be expanding its palette. Finally warped pop appears to be
getting its due. The term ‘experimental pop music’ may finally have a use,
after languishing from disuse for so long.
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