Moritz
von Oswald embraces the dance music all members know so well. Why did they wait
until their third album to do this, who knows? All I can say is after the warm
up of their first album, their explorations of the second album (which was
considerably less rhythmic than this one) they have mastered their art on this
third album. It literally is the sum of the two last albums: not as sprawling
as their second album but considerably more confident than the first at a
breezy 50 minutes.
They’ve
learned from their previous outings. On the epic 17 minute opener they come
close to the low-slung reggae/techno hybrid Moritz has dedicated his life to,
right down to the amazing groove around the 12 minute mark. ‘Dark’ is a Rhythm
& Sound song played by a full band. It is spacious, showing they’ve learned
something from their sprawling previous album. The track shuffles by at
tortoise-like pace. For the second half of the album the trio becomes considerably
more dance-friendly. ‘Club’ is ridiculous in the many noises they throw in the
groove’s way, trying to obstruct it. Some of these little flourishes are nearly
comical in nature. It is a lot of fun. For the closer ‘Yangissa’ they sound great.
I really enjoy the texture of the groove. You can almost feel it.
Really
dig this album a lot. Now they have mastered their art between outright
experimentation and endless grooving. It is a strange album for sure but it is
remarkable how they meld the organic and electronic into such an effortless
whole.

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